{"id":2108,"date":"2026-04-13T15:37:23","date_gmt":"2026-04-13T20:37:23","guid":{"rendered":"https:\/\/artfineline.com\/?post_type=product&p=2108"},"modified":"2026-04-13T15:43:12","modified_gmt":"2026-04-13T20:43:12","slug":"angelo-mottura-matter-transformation-to-yellow","status":"publish","type":"product","link":"https:\/\/artfineline.com\/ja\/artworks\/angelo-mottura-matter-transformation-to-yellow\/","title":{"rendered":"Angelo Mottura – Matter Transformation to Yellow"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"

Angelo Mottura – <\/strong>Matter Transformation to Yellow \/ Trasformazione della materia al giallo.<\/em>
\n<\/strong>Painted ceramic, wood – 2000<\/em><\/p>\n

Mottura takes the interior of the body and makes it an object of contemplation. The stomach \u2014 one of the most functional, unglamorous organs \u2014 rendered here in hand-painted ceramic with the vocabulary of Limoges porcelain: warm yellow ground, dense floral clusters, painted with the patience of decorative tradition. The collision is deliberate and precise. What digests becomes what is admired. What is hidden becomes surface.<\/p>\n

The yellow variation shifts the emotional register of the series. Where the green carried a cool, almost clinical authority, the yellow is warmer, more domestic \u2014 closer to a kitchen shelf than a vitrine. The ornament feels less like irony and more like tenderness. Yet the anatomical form holds firm beneath it, unresolved.<\/p>\n

The Rococo vocabulary does not beautify the form so much as expose the tension between refinement and visceral reality. Decoration has always been a strategy of displacement \u2014 and Mottura turns that strategy back on itself, applying it to the site of hunger, of absorption, of the body’s most private labor.<\/p>\n

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